Comparison of 2.0 stereo recording techniques for small music ensembles
These simultaneous recordings show the timbral and spatial differences of different 2.0 stereo recording techniques.
Recorded at the Wolfgang-Rihm-Forum of the university of music, Karlsruhe, Germany
Ensemble: RicciCapricci (Flutes: Christiane Herr, Kirsten Christmann, Guitar: Francesco Tomasi, Percussions: Michael Beilschmidt)
These simultaneous recordings show the timbral and spatial differences of different 2.0 stereo recording techniques.
Recorded at the Wolfgang-Rihm-Forum of the university of music, Karlsruhe, Germany
Ensemble: RicciCapricci (Flutes: Christiane Herr, Kirsten Christmann, Guitar: Francesco Tomasi, Percussions: Michael Beilschmidt)
-
XY: 2 * MK 41 supercardioid, 120°
-
MS: MK 4 cardioid + MK 8 Fig-8
-
ORTF: MSTC 74 (2 * MK 4 cardioid), 17 cm, 110°
-
Quasi-ORTF: 2 * MK 22 open cardioid, 26 cm, 80°
-
Wide Cardioid AB: 2 * MK 21 wide cardioid, 36 cm, 30°
-
Omni AB: 2 * MK 2H omni, 95 cm, 0°
- Decca Tree: 3 * MK 2H omni with KA 40 sphere attachments, LR 150 cm, C-LR 80 cm
